Reflections

Spreading Christmas Cheer

Special Report by Journalist Luscinda L. Dickey

I love Christmas! Wait—put that in all caps: I LOVE CHRISTMAS! And add periods: I. LOVE. CHRISTMAS. I mean who doesn’t? More than anything I want to be a part of Christmas. I have wanted to be a part of it for years. I know it sounds weird to say that I can’t, but it’s true. On Christmas day, I sit with nothing to do painting Christmas trees onto eggs… I mean cookies… and watching The North Pole Holly Jolliday Christmas Yule-A-Palooza! But I have never been able to really participate in Christmas. “That’s crazy!” you say, “why, everyone can be a part of Christmas!” That is true. BUT there is one teensy-weensy itsy-bitsy practically microscopic problem: I have a bunny ears. And I have bunny ears because I have a bunny’s head. And I have a bunny’s heads because I am a bunny. In fact I am The Easter Bunny.

Now, imagine it’s Christmas Day and you happen to see me waltzing down the street covered in tinsel and mistletoe with a basket full of brightly wrapped Christmas presents. What would you do? Well, you would either run the other way screaming: “Ahhhhh! A bunny covered with tinsel and mistletoe with a basket full of brightly wrapped Christmas presents!!” Or—and this is the most likely choice—you would begin laughing and pointing and shouting: “Hey, look at the crazy, weird bunny thing!” Then you would start throwing rotten eggs and moldy carrots at me. “No we wouldn’t” you say, but you would and you know it. No one would accept me.

So, that’s why I came up with my wonderful, amazing, terrific, spectacular idea! Here it is: I am going to masquerade as the Wistful Witch of Winter. So what is the Wistful Witch of Winter? I have no idea! I just made her up! All the duckies, chickies, and bunnies say that I must be going mad. But oops, I already am mad so who cares?

Thus far, my brilliant plan is working out perfectly! I am going to be part of Christmas and take part in this year’s broadcast of The North Pole Centennial Holly Jolliday Christmas Yule-A-Palooza! What could possibly go wrong!?! (I just hope no one takes off my hat!)

From first read through to closing night’s final bow, the Wistful Witch of Winter has, out of all the characters that I have played, been my favorite. And The North Pole Centennial Holly Jolliday Christmas Yule-A-Palooza, written and directed by Dan Beckmann and Erinn Dearth, was a show fresh and different from all others.

The North Pole Centennial Holly Jolliday Christmas Yule-A-Palooza only performed in a theatre one out of nine shows. The rest of the time we were dancing around the Triad spreading Christmas cheer to nursing homes and retirement communities. From singing a joy filled version of “Jingle Bells” with a sweet lady who when the song went into a slower three part harmony asked: “why did they slow down?” to shaking the hand of a grinning gentleman who although looked frail had a grip of steel, there was truly magic in the air. The true beauty of Christmas wasn’t in the classic songs we sang like “Oh Holy Night” and “Santa Claus is Coming to Town” or the favorite Christmas characters on stage like The Grinch (Brandon Lloyd Hicks) or Mrs. Claus (Mary Cain), but the true beauty was in the amazing people we met and talked to.

Spring Theatre’s The North Pole Centennial Holly Jolliday Christmas Yule-A-Palooza had its final performance Tuesday, December 17, 2019. From tour start to finish, the cast, crew, and audience shared the magic, joy, and love of the season. In the words of the Wistful Witch of Winter: “Christmas is the time of year where for one day families are joined together under one roof. Everyone is so very, very happy! Strangers are kind to one another! The true quality of the human spirit shines through. And [we got] to be a part of that.”

SpringTheatre.org

Photos credit of PB and J Photography

Show Reviews

A Winston-Salem Classic Has Returned!

Special Report by Journalist Luscinda L. Dickey

Billions of shows have been performed in my home state of North Carolina. Many of those billions have been performed in Winston-Salem, and in Winston-Salem, there must be over 10 being performed and rehearsed right at this very moment. But out of all of those shows, there is one that means a great deal more to Winston-Salem than others. That show is called Lost in Yonkers by Neil Simon. It was originally presented by Emanuel Azenberg on December 31, 1990 at The Center for the Performing Arts in downtown Winston-Salem. Lost in Yonkers went on to make its Broadway premiere at the Richard Rogers Theater in New York. Now, after winning many awards including a Tony Award for Best Play, 40+ Stage Company has brought Lost in Yonkers back to Winston-Salem.

Set in a 1942 apartment in Yonkers, New York, this emotional, engaging, comic drama follows the trials and tribulations of brothers Jay (Adam Sherrill) and Arty (Kalonji Lerian Patterson) on a quest to fit into their upside down extended family. From dashing comic relief, ruff and tumbled, New York gangster Uncle Louie (Mike Shapiro) to heart wrenching, dramatic, theatrical thriller, German immigrant Grandma Kurnitz (Maggie Gallagher), Lost in Yonkers host a wide variety of memorable characters.

Not only was the acting talent extremely high and the set top notch, but when one of the actors (Eddie) dropped out last minute the Director (Jay Smith) successfully stepped in the role. Though Eddie—father of Jay and Arty—was played opening night script in hand, I was so impressed by the fact that you could barely tell that Director Jay Smith was reading part of his lines.

A shout out to the amazing cast! I thoroughly enjoyed your performance, and I know many more will as there is still one weekend left to see the show: November 22-24, 2019 at the Mountcastle Theatre within the Milton Rhodes Center for the Arts. Lost in Yonkers is truly one in a billion.

40plusstage.com

Show Reviews

From Audition to Stage: Wait Until Dark

Special Report by Journalist Luscinda L. Dickey

I am filled with excitement! My heart is pounding, and I feel my energy surging. “Break a leg!” says my friend Caroline Mendenhall as I walk down the hall with my reading partner Rene Walek. “Thank you!” I whisper.

For days I have prepared for this audition. I have developed my character by researching and writing and through bodywork. On arriving at the audition, I warmed myself up. Then, Mrs. Rene and I ran over our scene five times.

I am all set. Director Gene Johnson smiles. “Begin when you are ready,” he says. After weeks of anticipation, it is finally time for my audition to be a part of Little Theatre of Winston Salem’s production of Wait Until Dark. I am reading the character Gloria while Mrs. Rene reads Susy.

I take a deep breath, settle into Gloria, and say my first line: “Is the grocery list ready?” “Yes it’s on the table by the phone,” says Mrs. Rene (Susy), “and five dollars. Can you see it?” “I’ve got it,” I say miming picking up a list and the money from off a table, “what else?”

I am not me. I am Gloria, and before me I see that Mrs. Rene is not herself. She is Susy. It is amazing! The character of Susy is blind, and if I had not been with Mrs. Rene when she was herself and not her character I could have guessed that she was blind as well. Even when I speak she does not look directly at me or focus on anything in particular.

It is a few seconds later when the scene gets more intense: “That’s the girl, thanks!” Mrs. Rene (Susy) says. “For what? “I laugh. (We are coming to my favorite part.) “Oh! I thought you shut it.” “Well, I didn’t.” I reply. “Look here four-eyes, I thought I made this clear: when I open the icebox I shut it, and when you open it…did you drop that by mistake?” The way Mrs. Rene says her lines is wonderful! The level of emotion and meaning she offers read into my portrayal of Gloria. With the whole reading, she gave me something real to play off of—something that inspired my character choices.

Now let’s cut to Wait Until Dark’s final performance in Reynolds Place Theatre on October 20, 2019 in Winston Salem. “Don’t you ever call me that again!” says Gloria (Caroline Mendenhall), “and I do not steal!” “Steal!?!” cries Susy (Rene Walek), “who said anything about stealing?” Wow! All the emotion and truth that Mrs. Rene had in the reading with me is exploding on stage—plus even more! Not only in this scene but throughout entire the show, Mrs. Rene—with everything in her—made every person in the audience feel the character of Susy.

As an actress, you never know how you come across on stage unless someone tells you. Looking back over my audition with Mrs. Rene and her performance as Susy, I think one of the things that she has taught me is that if you feel your character and you truly believe in the story you are telling, your character choices will be right and real.

Wait Until Dark was an amazing show. From the thrilling script to the talented actors and actresses, it lifted you up in suspense only to drop you down in surprise!

Congratulations to Mrs. Rene, Caroline, and the rest of this great cast for their truly chilling run of Wait Until Dark.

http://www.ltofws.org

Backstage

The Backstage Buzz: Matilda The Musical

Special Report by Journalist Luscinda L. Dickey

It is 30 minutes to show time for the Little Theatre of Winston Salem’s production of Matilda The Musical. The audience is taking their seats and buzzing with anticipation. Soon the lights will go down and the actors and actresses will transport the audience to a brilliant world of color, fun, and life. Right now all the audience can see is the set clad stage ready for the performance to begin. Little do they know what has happened behind the stage…

Today, I am not performing. Instead I am a dresser working backstage to make sure that the costumes and wigs of Matilda flow seamlessly. My mother and I arrive at 6:00pm—an hour and a half before the show starts. The actors and actresses are here too. At the moment, they are just regular people like you and me.

Come with me to take a sneak peak into the girls dressing room. Ria Matheson (Miss. Honey) is putting her hair up in pin curls for her wig; Alora Engel (Matilda) is having her hair styled to create the look of the title role; Genevieve Amigone (Amanda), Page Morphis (Lavender), and the other young ladies are changing from street clothes to their whimsical costumes for the top of the show; and the wonderful ensemble is hard at work with curling irons and lipstick as they prepare for the musical’s many numbers.

While I am presetting costumes for our first quick changes, step across the hall with Hayley Hansen (Mrs. Wormwood) and Ria to the men’s dressing room and wig department. There my mom will put on their wigs. Both ladies have a skin tone wig cap covering their pin curled hair. Here is a quick glance of what my mom does next: 1) she pulls the wigs over their heads, 2) she U-Pins the wigs into their wig caps, 3) she Bobby Pins the wigs to make sure they are secured, and finally 4) she does a tightness check. In Matilda, a show of cartwheels and jumps, it is very important that the wigs do not come off.

It is now 15 minutes to places. My mom and I walk up the long hallway to the prop room where we do all our quick changes. As we do, we pass by the boys dressing room where Director and Choreographer, Katie Jo Icenhower, is giving notes and words of encouragement to Nick Kelly (Bruce) and Alex Nunley (Michael Wormwood).

5 minutes to places! From Kevin Hampton (Stage Manager) to Matthew Cravey (Mr. Wormwood), who is carefully checking his props, there is a wave of excitement running through the entire cast and crew.

Places have been called. Over the last hour and a half great change has taken place. You can see as the cast parades by our table on the way to the wings of the stage, that they are no longer themselves but the characters they portray. Let’s take Seph Schonekas (Miss. Trunchbull) for example. Seph’s personality has changed immensely. He is no longer his positive self. He now wears not only the clothes of but the cruel essence of Miss. Trunchbull. You can see it in the way he walks and hear it in his voice. Hayley is another great example. She is now oozing Mrs. Wormwood from her glitzy costume jewelry to her oh-so-high-heeled character shoes. When she gets on stage, her character will explode.

A hush of magic falls over the audience as the house lights go down and the opening number begins.

http://www.ltofws.org

Show Reviews

A-W-E-S-O-M-E Spells KLT’s production of “The 25th Annual Putnam County Spelling Bee”

Special Report by Journalist Luscinda L. Dickey

Follow the hottest spellers, in musical theatre, on their quest for greatness. And, who will win? It might not be who you expect! To discover the answer, may I suggest a trip to Kernersville where the Kernersville Little Theatre (KLT) presents “The 25th Annual Putnam County Spelling Bee” artistic directed and music directed by Margaret “Maggie” B. Gallagher.

This all adult cast included many fun characters. I enjoyed how each had a different personality and flare. Leaf Coneybear (Jake Messina) was my favorite speller. To see an adult actor become a happy-go-lucky kid with a great sense of humor was very impressive. Plus Leaf was homeschool just like me! Logainne “Schwartzy” Schwartzandgrubenierre (Grace DiMaio) was another top speller for me. Not only did Logainne hold a lisp the entire show but she also was able to embodied a kid perfectly. And I don’t want to forget William Barfee (Michael Mickiewicz) a very nerdy speller with a kid like, resounding “I know” who “plans to grow up to be handsome.” I also really enjoyed the improv skills of Vice Principal Douglas Panch (James Crowe) and Rona Lisa Peretti (Steffanie Vaughan) as they interacted with four volunteer spellers picked from the audience.

To break up the dramatic and suspenseful spelling there were beautifully sung musical numbers accompanied by live musicians and entertaining dances. You could tell that each element had be carefully orchestrated by Maggie Gallagher.

“The 25th Annual Putnam County Spelling Bee” is held in Fitzpatrick Auditorium at the Kernersville Elementary School. The “school smell” provided by the venue and the lack of air conditioning in the auditorium combined with the simple staging created the complete picture. I truly felt like I was attending a spelling bee!

KTL should be very proud to be bringing this production to the Triad.

https://kltheatre.com/